Written & produced by vega vi & Warwick McLeod
Additional production, Live Drums & Mixing by Coco
Mastering by Paul Vlasveld

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The German Fritz-radio described vega vi’s debut single Afternoon Daze as a “vertical take-off“. As the acoustic track of the EP it refers to vega vi’s Singer-Songwriter background. The song invites you to rest in the comforting shadow of a tree while loosing yourself in daydreaming. A light breeze carries thoughts away while time stands still for a moment.

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Written & produced by vega vi
Live Drums & Mixing by Coco
Mastering by Paul Vlasveld

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The pop-electronic single Healer is a manifesto about letting go and respecting one’s own limits. It balances between spheric electronica and pervasive pop whilst embracing vega vi’s atmospheric signature sound in the production. The song explores themes of letting-go, knowing one’s limits and the importance of finding your own way.

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The track received multiple airplays on Amazingradio US & UK and was called „legendary“ and “haunting and ethereal, while being also catchy and accessible“ by music blog Lefuturewave.

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Written & produced by vega vi
Co-produced by Péter Ostertag
Live Drums & Mixing by Coco
Mastering by Paul Vlasveld

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“Song, Thought, Touch“ – there are many forms of love language. Love Letter is about waiting for a sign of affection in any form. The protagonist loses herself in daydreaming and eventually dissolves into the track’s mesmerising synth sounds. The title track is a most accurate description of vega vi: it embraces melancholy and joy of life as interconnected elements. The song moves between indie-electronica and synth-pop but dares to go more experimental ways than the previous singles Afternoon Daze and synth-pop Healer. Love Letter is waiting for affection - what are you waiting for? The sound was described as “post Kate Bushism“by an irish music blog.

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Written & produced by vega vi
Mixing by Coco
Mastering by Paul Vlasveld

The interlude is the bridge between the pop-influenced singles and the more electronic tracks of the EP. The synth pattern expands into the foleys and field recordings. The Danish lyrics describe the effect of a loved person’s gaze. It gives the feeling of arrival, that all weight is lifted from one’s chest, the fog dissolves and all commotion subsides.

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Written & produced by vega vi
Mixing by Coco
Mastering by Paul Vlasveld

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The track was written on a cold, snowy January night in Norway. This atmosphere is mirrored in the track: the synths are inspired by whale sounds, the Wurlitzer captures the softness of snowfall, and the lyrics evoke the picture of white frozen breath against the deep blue night. The production too plays with contrasts: while the verse sounds soft, dreamy and timeless, the chorus differs with deep and distorted voices, punchy kicks and electronic sound design. Still - is drags us further into the cold January night and comforts us.

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Written by vega vi
Produced by vega vi and Péter Ostertag
Mixing by Coco
Mastering by Paul Vlasveld

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As the last track of the EP Boy, I is the electronic peak and leads listeners into a dancing underwater world. Losing significance, vocals and lyrics diffuse and blend into the production. „The picture of tripping seahorses in their colourful underwater world served as inspiration“, vega vi explains.

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